Joyce is
one of the series’ most depressing characters. She’s a single mother in
precarious financial circumstances, and seemingly devoid of friends. Though the
viewer is aware pretty early on that there are supernatural goings-on in the
world of Stranger Things, the scenes
with Joyce are still often ambiguous as to whether Will’s actually communicating
with her or she’s just crazy. We believe Eleven can reach him, but it’s quite
late in the piece that we get confirmation that Joyce could too.
As with her
son Will, Joyce’s design is a bit neither here nor there; this will be a
recurring theme for most of the human characters, as they’re mostly meant to be
ordinary people. However, when the figures are viewed as a whole, they work
quite well together, creating a consistent world for the characters to inhabit.
Joyce comes
with the Christmas lights that she used to communicate with Will while he was
trapped in the Upside Down – the only other accessory that would make much
sense would be the burnt-out phone. The lights are all tangled up here though,
and give no indication of which colours they’ll actually shine once they’re
hung up on the wall. However, this is consistent with the scene Will makes them
glow bright white – and if it bothers you, it’s an easy fix to customise.
Winona
Ryder has had her ups and downs over the years, which unfortunately has
probably had a negative impact on her career trajectory. She was a huge star in the late 80s right up until
around 2001 – and it’s only really been in the last few years that she’s
started to re-emerge significantly into the public eye. But in some ways we
should be grateful for this; were her profile a little higher, the producers
behind Stranger Things might not have
been able to get her for the role.
No comments:
Post a Comment