I’m no big
fan of Tim Burton. Or perhaps more accurately, I’m no big fan of the cult
that’s been spawned centred around his works. But with that caveat, I do like
several of his movies – Beetlejuice perhaps
most of all.
I watched plenty
of the Beetlejuice animated series as
a kid – and of course, recall virtually nothing about it – but I had never
actually seen the film until about four years ago. For whatever reason I was up
late and it came onto TV as the late night movie, so then was as good a time as
any.
It’s a
weird and dark film, though its heavy German Expressionist influences are
mostly played for comedy rather than “true” horror. It contains many of the
elements that have since become Burton clichés, though they feel remarkably
fresh here; crude but effective Claymation-inspired designs, black and white
stripes, weird gothy characters and a fascination with the morbid. I can’t
imagine Alec Baldwin or Geena Davis starring in anything like it now, though of
course for Winona Ryder it would help set the tone for her subsequent career.
Now, for
convenience’s sake I’m going to refer to the film as Beetlejuice and the character as “Betelgeuse” – accurate to the
movie, but not always how we tend to refer to him in the common parlance.
Betelgeuse
is quite well-sculpted, though I don’t think the expression on the face quite
captures the signature smirk he displays through much of the movie. He’s
recognisably the character, but definitely has shades of the Joker in the too –
which is fitting in its own way, given Tim Burton’s role in launching the
Batman film franchise in 1989. Paint is okay by Funko’s standards at the time,
but would be better if he was released today. Check the stripes on his suit,
the eyes, the teeth and the hairline. Some slop is forgivable around the hairline
given that kind of fungus thing he has going on all over his face and suit, but
in the other areas it looks much more overt.
Like Spikewho got reviewed yesterday, there is a Glow Chase version of Betelgeuse. His
eyes are also painted with the swirly pattern that appears on the box. It’s a
good look, but as with most of his Glow Chase contemporaries, he sells for
considerably more than I would care to pay.
Betelgeuse
is a solid if not quite spectacular POP. Sadly, we’ve never received any of the
supporting characters from Beetlejuice
in POP form*. There was a Hot Topic exclusive of Betelgeuse in a different
outfit last year, I can’t imagine that we’re going to see anyone else in a
hurry. It’s a shame really, because the whole film is filled with freakish and
memorable designs that seem made for POP format – and if nothing else, you
would have thought Funko would pump out a Lydia Deetz. I can only assume it has
to do with licensing costs; Tim Burton is a huge
director these days, but Beetlejuice remains
something of a cult film; it’s never generated a fraction of the merchandise
that accompanied A Nightmare Before Christmas.
The cost-to-profit ratio may simply be too high.
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