Showing posts with label Cassandra Peterson. Show all posts
Showing posts with label Cassandra Peterson. Show all posts

Friday, 26 May 2017

POP! Television: Elvira, Mistress of the Dark

Back in October last year, I reviewed the Mystery Mini version of Elvira; astute readers will notice that there is a lot of overlap between this review and that one. But please feel free to read on nonetheless, and appreciate all the subtle differences.

Horror hosts aren’t really a thing over here in Australia, but it seems there was a time where every local TV station in the USA had one of their own. Typically serving as campy gateway figures to introduce audiences to crappy old horror and sci-fi films, in many cases they’re more entertaining than the actual films they were hosting. A handful went on to become international celebrities, like Vampira – though to be fair, a lot of that really had to do with her work with Ed Wood.

But probably the best-known to horror fans the world over is the subject of today’s review – Elvira, Mistress of the Dark. Portrayed by Cassandra Peterson, I’m not actually sure that she’s ever been broadcast on Australian TV, but a couple of YouTube videos confirmed pretty much what I expected – silly comments about the films being shown, bad puns and double entendres. But she does it with more style and panache than many of her contemporaries, and Cassandra Peterson has turned herself into a global brand as a result.

Typically, I can appreciate Mystery Minis and POPs as separate entities; they’re both striving for different aesthetics and they should be treated as such. But sometimes one really outshines the other, and in this case I think the Mystery Mini is substantially better. Though the POP is not bad, it suffers by comparison; the large head coupled with the large hair is a little too much, and the paint on small details like her dagger and nails are a bit sloppy. In her favour is that they’ve done a nice paint job on her face; it captures the pale skintone very nicely.

Nonetheless, if you’re a horror POP collector, she’s still a great addition to the shelf. There’s no doubt that Elvira is a horror icon, and considering how many horror-related POPS I own, I figure they need a good host to accompany them.    

Wednesday, 5 October 2016

Funko Mystery Minis Horror Classics Series 3: Elvira

Horror hosts aren’t really a thing over here in Australia, but it seems there was a time where every local TV station in the USA had one of their own. Typically serving as campy gateway figures to introduce audiences to crappy old horror and sci-fi films, in many cases they’re more entertaining than the actual films they were hosting. A handful went on to become international celebrities, like Vampira – though to be fair, a lot of that really had to do with her work with Ed Wood. 

But probably the best-known to horror fans the world over is the subject of today’s review – Elvira, Mistress of the Dark. Until I sat down to write this review I’d never watched any of her stuff, but I was familiar with her by reputation. But a couple of YouTube videos confirmed pretty much what I expected – silly comments about the films being shown, bad puns and double entendres. But she does it with more style and panache than many of her host contemporaries; I do plan to check her film, Elvira: Mistress of the Dark, out at some point.

Elvira has made the transition to Mystery Mini in a much better form than Slimer. With her signature beehive, high-cut dress and risqué top, there’s no doubt about who this is. They’ve even managed to tatter her sleeves in the sculpt! Additionally, little touches like the detailed eye makeup and fingernails clearly demonstrate that Funko is quite capable of doing good paintwork – it’s just a shame that more of it doesn’t find its way to their POPs.  

Speaking of which, Elvira does have a POP on the way soon too; I’m torn as to whether it will make 
its way into my collection as yet, but it does look well-executed.

Overall, I have no real complaints about Elvira as a figure. My only issue with her lies in her rarity, or lack thereof. She’s a 1/6 figure, which means there’s two of her in each case. I think this is a little excessive, and it’s a bummer that as a result some other figures that might otherwise have been 1/12 – Imhotep, for instance – have been pushed to 1/24. But Funko’s rarity works in mysterious ways; hopefully there will be a better breakdown for series 4.